YM
YM
+
thefilmographyofjeffgillooly:

Roy Lichtenstein — Yellow brushstroke I, 1965
+
cross-connect:

Adam Simpson, English illustrator.
This is “Boundary Hotel Elevator”. A commission to produce an artwork to appear floor to ceiling, all 4 sides of the elevator vestibule at the new ‘Boundary Hotel’ situated on Boundary Street in London. The artwork was devised around a grid of boundary walls. Each walled segment is about 170mm square. The idea behind producing such a detailed artwork was that each journey in the elevator would give the visitor a chance to study a new scene in the artwork. A geometric toile de jouy of sorts. The conversion of the Victorian warehouse building on Boundary Street, into a boutique hotel, was a joint venture between Sir Terence Conran, Lady Conran and Peter Prescott & Partners. The hotel opened in January 2009. 
(Text from ADC Young Guns).
cross-connect:

Adam Simpson, English illustrator.
This is “Boundary Hotel Elevator”. A commission to produce an artwork to appear floor to ceiling, all 4 sides of the elevator vestibule at the new ‘Boundary Hotel’ situated on Boundary Street in London. The artwork was devised around a grid of boundary walls. Each walled segment is about 170mm square. The idea behind producing such a detailed artwork was that each journey in the elevator would give the visitor a chance to study a new scene in the artwork. A geometric toile de jouy of sorts. The conversion of the Victorian warehouse building on Boundary Street, into a boutique hotel, was a joint venture between Sir Terence Conran, Lady Conran and Peter Prescott & Partners. The hotel opened in January 2009. 
(Text from ADC Young Guns).
cross-connect:

Adam Simpson, English illustrator.
This is “Boundary Hotel Elevator”. A commission to produce an artwork to appear floor to ceiling, all 4 sides of the elevator vestibule at the new ‘Boundary Hotel’ situated on Boundary Street in London. The artwork was devised around a grid of boundary walls. Each walled segment is about 170mm square. The idea behind producing such a detailed artwork was that each journey in the elevator would give the visitor a chance to study a new scene in the artwork. A geometric toile de jouy of sorts. The conversion of the Victorian warehouse building on Boundary Street, into a boutique hotel, was a joint venture between Sir Terence Conran, Lady Conran and Peter Prescott & Partners. The hotel opened in January 2009. 
(Text from ADC Young Guns).
cross-connect:

Adam Simpson, English illustrator.
This is “Boundary Hotel Elevator”. A commission to produce an artwork to appear floor to ceiling, all 4 sides of the elevator vestibule at the new ‘Boundary Hotel’ situated on Boundary Street in London. The artwork was devised around a grid of boundary walls. Each walled segment is about 170mm square. The idea behind producing such a detailed artwork was that each journey in the elevator would give the visitor a chance to study a new scene in the artwork. A geometric toile de jouy of sorts. The conversion of the Victorian warehouse building on Boundary Street, into a boutique hotel, was a joint venture between Sir Terence Conran, Lady Conran and Peter Prescott & Partners. The hotel opened in January 2009. 
(Text from ADC Young Guns).
cross-connect:

Adam Simpson, English illustrator.
This is “Boundary Hotel Elevator”. A commission to produce an artwork to appear floor to ceiling, all 4 sides of the elevator vestibule at the new ‘Boundary Hotel’ situated on Boundary Street in London. The artwork was devised around a grid of boundary walls. Each walled segment is about 170mm square. The idea behind producing such a detailed artwork was that each journey in the elevator would give the visitor a chance to study a new scene in the artwork. A geometric toile de jouy of sorts. The conversion of the Victorian warehouse building on Boundary Street, into a boutique hotel, was a joint venture between Sir Terence Conran, Lady Conran and Peter Prescott & Partners. The hotel opened in January 2009. 
(Text from ADC Young Guns).
cross-connect:

Adam Simpson, English illustrator.
This is “Boundary Hotel Elevator”. A commission to produce an artwork to appear floor to ceiling, all 4 sides of the elevator vestibule at the new ‘Boundary Hotel’ situated on Boundary Street in London. The artwork was devised around a grid of boundary walls. Each walled segment is about 170mm square. The idea behind producing such a detailed artwork was that each journey in the elevator would give the visitor a chance to study a new scene in the artwork. A geometric toile de jouy of sorts. The conversion of the Victorian warehouse building on Boundary Street, into a boutique hotel, was a joint venture between Sir Terence Conran, Lady Conran and Peter Prescott & Partners. The hotel opened in January 2009. 
(Text from ADC Young Guns).
cross-connect:

Adam Simpson, English illustrator.
This is “Boundary Hotel Elevator”. A commission to produce an artwork to appear floor to ceiling, all 4 sides of the elevator vestibule at the new ‘Boundary Hotel’ situated on Boundary Street in London. The artwork was devised around a grid of boundary walls. Each walled segment is about 170mm square. The idea behind producing such a detailed artwork was that each journey in the elevator would give the visitor a chance to study a new scene in the artwork. A geometric toile de jouy of sorts. The conversion of the Victorian warehouse building on Boundary Street, into a boutique hotel, was a joint venture between Sir Terence Conran, Lady Conran and Peter Prescott & Partners. The hotel opened in January 2009. 
(Text from ADC Young Guns).
cross-connect:

Adam Simpson, English illustrator.
This is “Boundary Hotel Elevator”. A commission to produce an artwork to appear floor to ceiling, all 4 sides of the elevator vestibule at the new ‘Boundary Hotel’ situated on Boundary Street in London. The artwork was devised around a grid of boundary walls. Each walled segment is about 170mm square. The idea behind producing such a detailed artwork was that each journey in the elevator would give the visitor a chance to study a new scene in the artwork. A geometric toile de jouy of sorts. The conversion of the Victorian warehouse building on Boundary Street, into a boutique hotel, was a joint venture between Sir Terence Conran, Lady Conran and Peter Prescott & Partners. The hotel opened in January 2009. 
(Text from ADC Young Guns).
cross-connect:

Adam Simpson, English illustrator.
This is “Boundary Hotel Elevator”. A commission to produce an artwork to appear floor to ceiling, all 4 sides of the elevator vestibule at the new ‘Boundary Hotel’ situated on Boundary Street in London. The artwork was devised around a grid of boundary walls. Each walled segment is about 170mm square. The idea behind producing such a detailed artwork was that each journey in the elevator would give the visitor a chance to study a new scene in the artwork. A geometric toile de jouy of sorts. The conversion of the Victorian warehouse building on Boundary Street, into a boutique hotel, was a joint venture between Sir Terence Conran, Lady Conran and Peter Prescott & Partners. The hotel opened in January 2009. 
(Text from ADC Young Guns).
cross-connect:

Adam Simpson, English illustrator.
This is “Boundary Hotel Elevator”. A commission to produce an artwork to appear floor to ceiling, all 4 sides of the elevator vestibule at the new ‘Boundary Hotel’ situated on Boundary Street in London. The artwork was devised around a grid of boundary walls. Each walled segment is about 170mm square. The idea behind producing such a detailed artwork was that each journey in the elevator would give the visitor a chance to study a new scene in the artwork. A geometric toile de jouy of sorts. The conversion of the Victorian warehouse building on Boundary Street, into a boutique hotel, was a joint venture between Sir Terence Conran, Lady Conran and Peter Prescott & Partners. The hotel opened in January 2009. 
(Text from ADC Young Guns).
+
redhousecanada:

red-lipstick:
Atsushi Fukui (b. 1966, Japan) -  Metatron, 2006    
Paintings: Acrylics on Canvas
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mentaltimetraveller:

Chris Succo, Flag Piece #9
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pizzzatime:

lehroi: Hisashi Okawa
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adamrobinsonart:

Untitled by Donald Judd 1990
(Source: tate.org.uk)
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1000drawings:

by Hakuchi
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design-is-fine:

Kiyoshi Awazu, poster artwork for A new spirit in Japan, Juraku, 1970s. Via Cooper Hewitt
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chloefrancillon:

Francis Bacon : Lying Figure in a Mirror,1971
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cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Wanda Koop is known for charting new directions in painting, pushing the boundaries of presentation and display with her monumental-scale painting installations, in which she incorporates poetic video and performance work. Her practice explores scenes of urbanization, industrialization, and robotic technology as it interfaces with the natural world, asking us to reconsider imagery that is delivered to us through both cultural history and contemporary broadcast media.
cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Wanda Koop is known for charting new directions in painting, pushing the boundaries of presentation and display with her monumental-scale painting installations, in which she incorporates poetic video and performance work. Her practice explores scenes of urbanization, industrialization, and robotic technology as it interfaces with the natural world, asking us to reconsider imagery that is delivered to us through both cultural history and contemporary broadcast media.
cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Wanda Koop is known for charting new directions in painting, pushing the boundaries of presentation and display with her monumental-scale painting installations, in which she incorporates poetic video and performance work. Her practice explores scenes of urbanization, industrialization, and robotic technology as it interfaces with the natural world, asking us to reconsider imagery that is delivered to us through both cultural history and contemporary broadcast media.
cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Wanda Koop is known for charting new directions in painting, pushing the boundaries of presentation and display with her monumental-scale painting installations, in which she incorporates poetic video and performance work. Her practice explores scenes of urbanization, industrialization, and robotic technology as it interfaces with the natural world, asking us to reconsider imagery that is delivered to us through both cultural history and contemporary broadcast media.
cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Wanda Koop is known for charting new directions in painting, pushing the boundaries of presentation and display with her monumental-scale painting installations, in which she incorporates poetic video and performance work. Her practice explores scenes of urbanization, industrialization, and robotic technology as it interfaces with the natural world, asking us to reconsider imagery that is delivered to us through both cultural history and contemporary broadcast media.
cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Wanda Koop is known for charting new directions in painting, pushing the boundaries of presentation and display with her monumental-scale painting installations, in which she incorporates poetic video and performance work. Her practice explores scenes of urbanization, industrialization, and robotic technology as it interfaces with the natural world, asking us to reconsider imagery that is delivered to us through both cultural history and contemporary broadcast media.
cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Wanda Koop is known for charting new directions in painting, pushing the boundaries of presentation and display with her monumental-scale painting installations, in which she incorporates poetic video and performance work. Her practice explores scenes of urbanization, industrialization, and robotic technology as it interfaces with the natural world, asking us to reconsider imagery that is delivered to us through both cultural history and contemporary broadcast media.
cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Wanda Koop is known for charting new directions in painting, pushing the boundaries of presentation and display with her monumental-scale painting installations, in which she incorporates poetic video and performance work. Her practice explores scenes of urbanization, industrialization, and robotic technology as it interfaces with the natural world, asking us to reconsider imagery that is delivered to us through both cultural history and contemporary broadcast media.
cross-connect:

Featured Curator: Roberto Cruz Niemiec [ArchAtlas]
Wanda Koop is known for charting new directions in painting, pushing the boundaries of presentation and display with her monumental-scale painting installations, in which she incorporates poetic video and performance work. Her practice explores scenes of urbanization, industrialization, and robotic technology as it interfaces with the natural world, asking us to reconsider imagery that is delivered to us through both cultural history and contemporary broadcast media.
+
joereorda:

WOLFGANG LAIB
Milkstone, 1998-2001
marble and milk
2 3/8 x 23 1/2 x 28 3/4 inches
(6 x 59.7 x 73 cm)
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joereorda:

RICHARD LONG
White Pebble Line, 1988
white pebbles
252 x 23 inches 
(640.1 x 58.4 cm)
+
flasd:

Yayoi Kusama - The Galaxy
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urgetocreate:

Kobayashi Kokei, “Hot Spring”, 1921
+
cactuseeds:

"Tear the bitch apart!"
Kill Bill: Vol. 1 (2003)
Directed by Quentin Tarantino
cactuseeds:

"Tear the bitch apart!"
Kill Bill: Vol. 1 (2003)
Directed by Quentin Tarantino